Friday, November 18, 2011

Reading Room: PHANTOM LADY "Copy-Cat Killers"

Question: What's more fun than watching a scantly-clad Phantom Lady in action?
Answer: Watching two scantly-clad Phantom Ladies in action!
How dense is Don?
He spends hours sitting next to a woman who doesn't even wear a mask and can't figure out she's not Phantom Lady?
But then Don doesn't realize Sandra Knight is Phantom Lady when she's right in front of him...
While the story is typical of the type of slightly off-kilter plot Ruth Roche came up with, the art is another matter entirely.
While the inking style looks like Matt Baker, the layouts and pencils definitely are not.
Most people think it's Jack Kamen, who did a couple of Phantom Lady covers and stories later in the book's run.

featuring goodies emblazoned with cover art that Fredric Wertham railed against in Seduction of the Innocent.

Monday, November 14, 2011

Reading Room: NOT WHO YOU THINK: Ghost Rider "Origin"

WARNING: Stereotypes of Native Americans and Asians common to the 1950s. May be NSFW.
From Ghost Rider #1 (1950).  Written by Ray Krank.  Penciled and inked by Dick Ayers.
He began life in the late 1940s as Rex Fury, aka The Calico Kid, a masked hero whose secret identity was a lawman who felt justice was constrained by legal limitations. (There were a lot of those heroes in comics and pulps of the 40s including our own DareDevil and Blue Beetle!)
But, with masked heroes in every genre doing a slow fade-out after World War II, and both the western and horror genres on the rise, the character was re-imagined in 1949 as comics' first horror / western character!

The Ghost Rider himself was not a supernatural being.
He wore a phosphorescent suit and cape, making him glow in the dark, appearing as a spectral presence to the (mostly) superstitious cowboys and Indians he faced.
Since the inside of the cape was black, he'd reverse it, and appear in the dark as just a floating head, usually scaring a confession or needed information out of owlhoots.

Despite the initial aid from deceased Western heroes (and a heroine) in this origin tale,  the series' early days were populated with villains who were standard owlhoots or, like The Ghost Rider, people pretending to be supernatural beings.
That changed around 1952, when he started facing real mystic menaces including zombies.
Unfortunately, it was about this point in time that Dr. Wertham began his crusade against comics in general and horror comics in particular...
By 1954, the Ghost Rider had lost his series. The next year he disappeared entirely.

In the late-1960s, Marvel Comics was about to expand their line and decided to take several long-unused character names (including Captain Marvel and Phantom Eagle) and apply them to new characters.
They also revived Ghost Rider, illustrated by the original version's artist, Dick Ayers, and with the same costume and gimmicks! (At least they changed the secret identity and origin.)
 He only lasted a year or so in his own title, but he's been showing up as a guest-star at Marvel ever since, under the names Night Rider or Phantom Rider, since the Ghost Rider name was usurped by a  motorcycle-riding supernatural hero in 1973.
Eventually, the Western hero was given a supernatural background as well, which resulted in his appearing in the Ghost Rider movie...
Ironically, the writer of the Marvel Western hero, Gary Friedrich, was the co-creator (with Mike Ploog) of the modern motorcycle rider, just as Dick Ayers was the co-creator/illustrator of both Western versions!

But, over 50 years later, Atomic Kommie Comics™ brought the original version back back, digitally-restored and remastered on a host of kool kollectibles to go with our other masked Western heroes including The Lone Rider, The Red Mask, The Black Phantom, and The Masked Ranger.

Friday, November 11, 2011

Reading Room: PHANTOM LADY "Ace of Spades"

The Damsel of Darkness meets her first costumed villainess...
in this Western-themed, never-reprinted tale from Phantom Lady #20!
Phantom Lady takes a couple of tricks, horsemanship, lassoing and sharpshooting, from another Golden Age heroine, the Black Cat, who was secretly movie actress/stunt girl Linda Turner, and thus had a reason to be skilled in those talents, which most modern women didn't perform.
Curiously, Sandra Knight had never demonstrated proficiency in any of those skills before...
Script probably by Ruth Roche, art definitely by Matt Baker.

featuring goodies emblazoned with cover art that Fredric Wertham railed against in Seduction of the Innocent.

Wednesday, November 9, 2011

Reading Room: CROM THE BARBARIAN "Giant from Beyond"

Return to a time before Atlantis sank with comics' first barbarian...
...as we present the third and final chapter in the saga of Crom, from Strange Worlds #2 (1951)
 
Thus do the tales of Crom come to an end, two decades before the coming of Conan in 1970...
His last adventure was produced by co-creators Gardner Fox (writer), and John Giunta (artist).
None of his stories were reprinted, even after the success of Lord of the Rings, Conan the Barbarian, and others made sword and sorcery a hot genre!
One bit of barbarian trivia; artist John Giunta took on a 15-year old apprentice who would later illustrate many fantasy characters including Conan.
His name?
Frank Frazetta!

Monday, November 7, 2011

Reading Room: Silver Age FRANKENSTEIN "Rebirth of Frankenstein"

The Silver Age was an odd period of comics history...
 ...when anyone from spies (T.H.U.N.D.E.R. Agents) to soldiers (Blackhawk) to monsters could be remade into superheroes...with decidedly-mixed results!
You can read the origin of this funky, far-out revamp of Frankenstein HERE, then continue with this titanic tale...
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Coming soon! The cataclysmic conclusion to the Silver Age Frankenstein's origin tale!