Nazi-Punchers DAREDEVIL COMICS "Pat Patriot: America's Joan of Arc"

Here's the Introduction to One of the More Unique Patriotic Golden Age Heroines...

Read the story and see if you can guess what makes her different from the other Golden Age heroines!

Brave, patriotic, can handle herself in a fight!

"What's so different about her?"

Her name!

"Patricia Patrios", the name chosen by writers Charles Biro & Bob Wood to conveniently "lead" into the Pat Patriot nom-du-guerre, was not the typical WASPy name most comic characters used!

It's never mentioned in the stories, but she appears to be a 1st or 2nd generation American of Greek or Greek/insert ethnicity ancestry.

The art on this tale from Lev Gleason's DareDevil Comics #2 (1941) is confusing in that it has elements of both Frank Borth and Reed Crandall's styles.so it's impossible to say who did what!
Pat Patriot kicked Nazi and neo-Nazi asses from #2 to #11, after which almost all the features besides DareDevil himself were replaced!

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Nazi-Punchers PAT PARKER: WAR NURSE ""Disease from the Depths"

Few non-superpowered World War II heroines had as active a career as...

 ...who went through three different incarnations during the conflict!

Introduced in Harvey's Speed Comics #13, British nurse Patricia Parker kicked the butts of spies, saboteurs, and medical black marketers in plainclothes for two issues before donning her costume and identity at the end of this never-reprinted story from Speed #15 (1942).

She was as proficient at Nazi-clobbering in costume as without one.

You'll note Pat didn't need a guy to assist her.

But, as of Speed Comics #23, she teamed up with several women from other countries (China, Russia, and America) to form the Girl Commandos, a distaff version of the multi-national Blackhawks...

...and dropped the "War Nurse" identity for the remainder of her run!
Note: If the art seems a tad un-detailed, even for a Golden Age comic, that's because the book wasn't normal sized (7.75" x 10.5"), but the smaller digest magazine-size (4" x 6.75")!
We just ran it at the same size as regular comics on this blog for your viewing ease!

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Russkie-Smashers PHANTOM LADY "Television Spies!" 2.0

The Phantom Lady Usually Punched Nazis, but in This Case...

...she did so in a totally-redrawn version of a previous Phantom Lady tale! which now has her taking on Russkie spies!

In the original 1948 version of this tale, the tv images were in full glorious color, and television was just beginning to enter American households, so few people had actually seen a tv screen!

But, by the time of this story in Ajax/Farrell's Phantom Lady #3 (1955), almost half the households in America had tvs, but they were almost all b/w sets.

As a result, the tv screens shown in this version of the story were b/w, the way most Americans experienced video at the time.
Plus, in the original tale, it wasn't made clear if it was industrial spying or international spying!

The artist (or artists) of this tale are unknown, but the writer is probably editor Ruth Roche, as usual.

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Russkie-Smashers PHANTOM LADY "Man the Kremlin Applauded!"

We showed a tale where a different heroine battling Nazis became Phantom Lady battling Russkies...

...but here's an all-new story featuring our stalwart all-American heroine!

Script for this tale from Ajax-Farrell's Wonder Boy #17 (1955) is probably by Ruth Roche.

However, the art is not by Matt Baker (who had left the Iger Studios).
While competent, the art, by nameless Iger Studio staff artists, is hardly the classic cheesecake we've come to expect of Phantom Lady!

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A Twice-Told Tale About Nazis Becoming Russkies...and Being SMASHED Both TImes by Different Heroines!

This is a "twice-told tale"...

...demonstrating how similarly WWII Germans and Cold War Russkies could be portrayed in pop culture!

First, a tale starring a long-forgotten heroine from Elliot's Spitfire Comics #132 (1944)...

Secret agent Spitfire Sanders made only two appearances, in successive issues of Elliot Comics' Spitfire Comics, which despite the high numbering of this issue (#132), only had two issues!
(And this was the first of the two!)
The art on this story about an extremely competent female spy is by journeyman artist Paul Cooper, working for the Iger Studios, who also supplied art to Ajax/Farrell (where the re-worked version appeared several years later) and Fox Comics.
It was scripted by "Rick Shawn", which was likely a pen-name since he's only credited with the two Spitfire Saunders tales!

Now we jump a decade to 1954.

The Nazis have been defeated.

Communism is on the rise.

A comic book publisher needs a story about a superheroine to meet a deadline, so Nazi-Crusher Spitfire Sanders becomes...already-existing Russkie-Smasher Phantom Lady!

Oh, and due to space limitations, the original story has to be cut by a couple of pages...

For this presentation in Ajax/Farrell's Phantom Lady #5 (actually #1) from 1954, the brand new (and extremely-restrictive Comics Code also required a reduction in gunplay and use of torture instruments like whips, so a number of panels were reworked...or deleted entirely!

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