The 1939-1940 Worlds Fair in New York City was a BIG event whose influence was felt throughout pop culture, in particular, fantastic fiction;
The first science fiction convention (NyCon 1) was held on the fairgrounds!
Charlie Chan caught a murderer in the Worlds Fair-themed film Murder Over New York!
Doc Savage fought "The Worlds Fair Goblin" in the pages of his pulp magazine!
DC Comics launched a book called Worlds Fair Comics. (After the Fair closed, it was retitled Worlds Best, then Worlds Finest) This tied-in with "Superman Day" at the Fair, featuring the first actor to play Superman in costume, Ray Middleton!
And a super-hero was created specifically to protect the Fair and fairgoers!
Appearing in Amazing Mystery Funnies, The Fantom of the Fair was dedicated to defending those who walked the grounds of the exhibition, battling evil within it's boundaries.
The covers and stories incorporated elements and locales of the Fair.
While the Fantom's real name and the reason he fought crime were never revealed, readers did learn a number of things about him during his two-year run:
He had above-normal strength and agility, plus the ability to hypnotize people and alter their memories.
He operated out of the labyrinth of service tunnels under the fairgrounds, which enabled him to travel unseen, and had a secret headquarters within them (inspired by similar elements of the Phantom of the Opera)
His face was never revealed. When he wore civilian clothes, his visage was obscured by a fedora.
Despite changing his name to FantoMan when he received his own title, and expanding his operations to the whole of NYC, the character's series ended a couple of months after the Fair closed.
While he inspired the similarly-named Phantom of the Fair who was integral to the retconned origin of DC Comics' Golden Age Sandman, he hasn't popped up yet in Alex Ross' Project SuperPowers, where most of his publisher's other characters have already appeared. But, it's probably just a matter of time.
Meanwhile, the crew at Atomic Kommie Comics™ felt a kool hero like the Fantom should not be forgotten, so we incorporated a pair of his best covers into the Lost Heroes of the Golden Age of Comics™ line, giving him his own section!
If you want to show that special pop-culture-oriented someone (who's into Worlds Fair kitch) that you want to share their interests with them, do a 1939 Worlds Fair-themed present!
Combine one of our cool Fantom of the Fair collectibles with a copy of a World's Fair-themed book, the Images of America book 1939-1940 NY World's Fair or The Amazing Adventures of Kavalier & Clay by Michael Chabon, or Doc Savage "The Worlds Fair Goblin" by Kenneth Robeson! All titles are in-print and currently available!
Then party like it's 1939!
Sunday, September 12, 2010
Fear...the Fantom of the Fair!
Posted by
Britt Reid
at
9/12/2010 01:01:00 AM
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Friday, September 10, 2010
Video Fridays: THE GREEN HORNET in "The Silent Gun"
We're introducing a new weekly feature "Video Friday"
Followers of this blog are well aware of how much of a fan I am of The Green Hornet (and Kato, natch) in his various incarnations.While the 60s tv series is not yet available on official dvd, it is available on YouTube.
Here's the first broadcast episode "The Silent Gun" (but NOT the pilot, "Programmed for Death", which was the third episode aired) in three segments.
Enjoy!
Next week: "Give 'Em Enough Rope"
Tuesday, September 7, 2010
The Silver Age Green Hornet by Gil Kane
As The Green Hornet tv series went into production in June, 1966, the producers realized that there was no existing art showing the title character or his sidekick, Kato.
Actually, there was plenty of art, but it was of the previous, differently-costumed, 1940s version...
So, the producers commissioned new "key art" for promo and licensing purposes.
They chose noted comic book artist Gil Kane to produce the new graphics.
Using early costume-test photos (above: showing different masks used only in the pilot episode "Programmed for Death" and no gloves) as reference, Kane did several pieces which became the basis of almost all the merchandising art on various tie-in products including the Captain Action costume, playing and trading cards, and the sole paperback novel based on the tv show, Green Hornet in the Infernal Light (used on the back cover as seen below).
We've acquired 1966 original posters of the primary key art piece and digitally-remastered and restored them both on collectibles in our Icons line and as limited-edition posters Pop-Art #5 (Hornet) & Pop-Art #6 (Kato)!
With a new feature film set for January, now's the time to get the latest Secret Chic items to wear to screenings (or to class) or put on your bedroom, dorm room, or den wall!
Actually, there was plenty of art, but it was of the previous, differently-costumed, 1940s version...
So, the producers commissioned new "key art" for promo and licensing purposes.
They chose noted comic book artist Gil Kane to produce the new graphics.
Using early costume-test photos (above: showing different masks used only in the pilot episode "Programmed for Death" and no gloves) as reference, Kane did several pieces which became the basis of almost all the merchandising art on various tie-in products including the Captain Action costume, playing and trading cards, and the sole paperback novel based on the tv show, Green Hornet in the Infernal Light (used on the back cover as seen below).
We've acquired 1966 original posters of the primary key art piece and digitally-remastered and restored them both on collectibles in our Icons line and as limited-edition posters Pop-Art #5 (Hornet) & Pop-Art #6 (Kato)!
With a new feature film set for January, now's the time to get the latest Secret Chic items to wear to screenings (or to class) or put on your bedroom, dorm room, or den wall!
Posted by
Britt Reid
at
9/07/2010 11:15:00 AM
Labels:
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Saturday, September 4, 2010
Frankly, It's Frankie! (Frankenstein, that is!)
As Halloween approaches, we thought we'd take a look back at one of the best horror comics series of all time (and toss in a free plug while we're at it!)
Prize Comics' Monster of Frankenstein began life in Prize Comics #7 (the same issue that introduced The Green Lama to comics) and continued over several years going from a relatively-straight sequel to the Mary Shelley novel to all-out comedy, all drawn by the same artist, Dick Briefer (who also created the series The Target & the Targeteers.) and continuing to the point when Prize Comics became Prize Western Comics.
By then, he had his own title, also played for laughs, which ran for 17 issues.
Of particular note was Prize Comics #24, where The Green Lama, Yank & Doodle, The Black Owl, and other Prize Comics heroes teamed up as "The Prize Fighters" to deal with the assumed threat of the Monster, much as various Marvel heroes tend to team up to try to tame the presumed threat of The Incredible Hulk!
By the mid-1950s, with horror comics a hot genre, The Monster was revived as a straight horror title with #18 and running thru #33, with Dick Briefer still at the artistic helm.
This is the period Golden Age fans still speak of in respectful hushed tones (although technically, it's not the Golden Age).
Old-timers may also note the logo was adapted for the first (and only) issue of Calvin Beck's Journal of Frankenstein, a b/w magazine which was retitled Castle of Frankenstein for the remainder of it's run. (It was one of the better competitors to Forrest J. Ackerman's long-running Famous Monsters of Filmland).
There have been several reprints of the Briefer material including Ray Zone's 3-D Zone, Michael T. Gilbert's Mr Monster's Hi-Shock Schlock, and AC Comics' Men of Mystery, and most recently, Idea Men Productions' trade paperback (ISBN-10 1419640178, ISBN-13 978-1419640179)
AC Comics also did an updated, villainous version of the character, called "Frightenstein"* in a number of their titles, and Dynamite Entertainment's Project SuperPowers has incorporated him as the conceptual basis of the "F-Troop" reanimated-corpse soldiers.
Knowing you can't keep a good monster down, Atomic Kommie Comics™ has revived The Monster as part of our Lost Heroes of the Golden Age of Comics™ collectibles line just in time for Halloween with six classic covers (including #18, his first horror-era appearance) adorning such items as tote bags (perfect as trick-or-treat bags), mousepads, blank sketchbooks, mugs, and, of course, shirts.
In addition, we now have a Frankenstein 12-Month calendar featuring the a dozen of the best of both the humor and horror versions!
Personally, I'm gonna be wearing one of them on Halloween.
Only question is, which one? ;-)
*"Frightenstein" was also the name of a short-lived 1970s syndicated tv series called The Hilarious House of Frightenstein. Vincent Price did a number of intros to segments.
Prize Comics' Monster of Frankenstein began life in Prize Comics #7 (the same issue that introduced The Green Lama to comics) and continued over several years going from a relatively-straight sequel to the Mary Shelley novel to all-out comedy, all drawn by the same artist, Dick Briefer (who also created the series The Target & the Targeteers.) and continuing to the point when Prize Comics became Prize Western Comics.
By then, he had his own title, also played for laughs, which ran for 17 issues.
Of particular note was Prize Comics #24, where The Green Lama, Yank & Doodle, The Black Owl, and other Prize Comics heroes teamed up as "The Prize Fighters" to deal with the assumed threat of the Monster, much as various Marvel heroes tend to team up to try to tame the presumed threat of The Incredible Hulk!
By the mid-1950s, with horror comics a hot genre, The Monster was revived as a straight horror title with #18 and running thru #33, with Dick Briefer still at the artistic helm.
This is the period Golden Age fans still speak of in respectful hushed tones (although technically, it's not the Golden Age).
Old-timers may also note the logo was adapted for the first (and only) issue of Calvin Beck's Journal of Frankenstein, a b/w magazine which was retitled Castle of Frankenstein for the remainder of it's run. (It was one of the better competitors to Forrest J. Ackerman's long-running Famous Monsters of Filmland).
There have been several reprints of the Briefer material including Ray Zone's 3-D Zone, Michael T. Gilbert's Mr Monster's Hi-Shock Schlock, and AC Comics' Men of Mystery, and most recently, Idea Men Productions' trade paperback (ISBN-10 1419640178, ISBN-13 978-1419640179)
AC Comics also did an updated, villainous version of the character, called "Frightenstein"* in a number of their titles, and Dynamite Entertainment's Project SuperPowers has incorporated him as the conceptual basis of the "F-Troop" reanimated-corpse soldiers.
Knowing you can't keep a good monster down, Atomic Kommie Comics™ has revived The Monster as part of our Lost Heroes of the Golden Age of Comics™ collectibles line just in time for Halloween with six classic covers (including #18, his first horror-era appearance) adorning such items as tote bags (perfect as trick-or-treat bags), mousepads, blank sketchbooks, mugs, and, of course, shirts.
In addition, we now have a Frankenstein 12-Month calendar featuring the a dozen of the best of both the humor and horror versions!
Personally, I'm gonna be wearing one of them on Halloween.
Only question is, which one? ;-)
*"Frightenstein" was also the name of a short-lived 1970s syndicated tv series called The Hilarious House of Frightenstein. Vincent Price did a number of intros to segments.
Posted by
Britt Reid
at
9/04/2010 10:09:00 AM
Labels:
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Alex Ross,
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covers,
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Thursday, September 2, 2010
Salute the Fighting Yank!
Our story starts in June of 1941...and in 1775.
At a critical point of the American Revolution, George Washington himself entrusted messenger Bruce Carter with vital information.
Carter was captured, tortured, and killed by the British, taking his military secrets to the grave, and vowing to return when danger threatened the Colonies.
Flash-forward to 1941, Carter's great-great-grandson Bruce Carter III, a rich idler obsessed with history sees patterns forming that will lead to the USA soon becoming involved in the World War raging in Europe and Asia! But what to do? He's only one man, albeit an extremely rich layabout!
The ghost of his ancestor appears and leads him to a trunk in the attic of the Carter estate, where Carter III discovers his ancestor's personal effects, including his cape!
Donning the cloak, Carter III is granted amazing powers including super-strength and limited invulnerability. (He can't be killed, but he can be stunned.)
Wanting to disguise himself, Carter rummages thru the attic and dons a tricorn hat, breeches, buckled shoes, a domino mask, and a shirt which he sews an American flag decal to!
Thus garbed, the newly-christened Fighting Yank takes on local saboteurs for "unnamed foreign powers" until December 1941, at which point, the "unnamed" spies became German and Japanese operatives!
In a twist, besides giving Carter III his powers, the Revolutionary War ghost pops up to warn or advise his decendant about danger, and even occasionally transport the Fighting Yank garb to the non-costumed (and thus helpless) Carter III, who apparently didn't wear his costume under his street clothes like most superheroes!
Fighting Yank fought the Good Fight, first in Startling Comics, then his own title and the anthology America's Best Comics, until 1949, when superheroes gave way to an explosion of horror, crime, and Western comics.
He was revived in 2001, when Alan Moore brought him back, but quickly killed him off, so he could introduce a NEW Fighting Yank; Bruce Carter III's daughter, while Carter III took over his ancestor's role of ghostly aide to the present Fighting Yank!
In 2007, Alex Ross revived the Fighting Yank as the lynchpin for the new Project SuperPowers line of comics which incorporates numerous characters from defunct comic companies into a cohesive universe!
We at Atomic Kommie Comics™ have also revived Fighting Yank, taking the best of his classic 1940s cover art (including his first and last appearances), and emblazoning it on t-shirts, mugs, 12-month calendar, and other kool kollectibles in our Lost Heroes of the Golden Age of Comics™ line!
If you want to "fly the flag" in a kitchy (yet kool) way, check out The Fighting Yank!
And don't forget Project SuperPowers, the best Golden Age revival on the stands!
At a critical point of the American Revolution, George Washington himself entrusted messenger Bruce Carter with vital information.
Carter was captured, tortured, and killed by the British, taking his military secrets to the grave, and vowing to return when danger threatened the Colonies.
Flash-forward to 1941, Carter's great-great-grandson Bruce Carter III, a rich idler obsessed with history sees patterns forming that will lead to the USA soon becoming involved in the World War raging in Europe and Asia! But what to do? He's only one man, albeit an extremely rich layabout!
The ghost of his ancestor appears and leads him to a trunk in the attic of the Carter estate, where Carter III discovers his ancestor's personal effects, including his cape!
Donning the cloak, Carter III is granted amazing powers including super-strength and limited invulnerability. (He can't be killed, but he can be stunned.)
Wanting to disguise himself, Carter rummages thru the attic and dons a tricorn hat, breeches, buckled shoes, a domino mask, and a shirt which he sews an American flag decal to!
Thus garbed, the newly-christened Fighting Yank takes on local saboteurs for "unnamed foreign powers" until December 1941, at which point, the "unnamed" spies became German and Japanese operatives!
In a twist, besides giving Carter III his powers, the Revolutionary War ghost pops up to warn or advise his decendant about danger, and even occasionally transport the Fighting Yank garb to the non-costumed (and thus helpless) Carter III, who apparently didn't wear his costume under his street clothes like most superheroes!
Fighting Yank fought the Good Fight, first in Startling Comics, then his own title and the anthology America's Best Comics, until 1949, when superheroes gave way to an explosion of horror, crime, and Western comics.
He was revived in 2001, when Alan Moore brought him back, but quickly killed him off, so he could introduce a NEW Fighting Yank; Bruce Carter III's daughter, while Carter III took over his ancestor's role of ghostly aide to the present Fighting Yank!
In 2007, Alex Ross revived the Fighting Yank as the lynchpin for the new Project SuperPowers line of comics which incorporates numerous characters from defunct comic companies into a cohesive universe!
We at Atomic Kommie Comics™ have also revived Fighting Yank, taking the best of his classic 1940s cover art (including his first and last appearances), and emblazoning it on t-shirts, mugs, 12-month calendar, and other kool kollectibles in our Lost Heroes of the Golden Age of Comics™ line!
If you want to "fly the flag" in a kitchy (yet kool) way, check out The Fighting Yank!
And don't forget Project SuperPowers, the best Golden Age revival on the stands!
Posted by
Britt Reid
at
9/02/2010 01:32:00 PM
Labels:
1940s,
Alex Ross,
comic book,
comic books,
comics,
covers,
Fighting Yank,
Golden Age,
hero,
Project SuperPowers,
retro,
vintage,
World War II,
WWII
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